Soon to come...

Now that Giulio Cesare has finished, I'll have a little more free time. I'm coming home for spring break today, and will post some of the details of closing weekend and such when I get home. That is, if the Internet at home will be nice and not slow.

I'm actually doing the driving back home this time, which is strange. The girl that was supposed to give me a ride broke her ankle and can't drive, so I'm driving her car back to Fort Wayne. I've never driven for this amount of time put together, so things could be interesting. Coffee will probably be needed.

Some thoughts after opening night

Opening night was all that I could have ever wanted and more. I always forget from show to show how much an audience gives you an extra burst of energy and often inspires a degree of spontaneity in performance. And I could feel that it was there, not only in me, but in my fellow cast members. The arias were sung especially well; I've never heard Andy (Cesare) sing "Va taccito" as well as he did last night, and the same goes for Cody (Achilla) in his aria, and Jacquie (Cleopatra) in her "Da Tempeste". Andy even threw in a low D at the end of "Quel torrente" just for kicks, and it was thrilling to be onstage with him; "Quel torrente" is meant to inspire Sesto and Nireno, and it wasn't hard to feel that way. I'm so proud of everyone not only in my cast, but in the other cast. I'm truly blessed to share the stage with such talented and wonderful people!

Another word about the whole team of Giulio Cesare. They've been so kind during the whole process, from the first meeting we had as a cast back in October to opening night. Their graciousness, generosity, and support have been well beyond what I could have asked for in a group of colleagues, and it means the world to me. I've known a few of them since my first days at IU, and it's been an honor to finally work with them in such detail. It's been a wonderful experience.

And really, this has been a full circle adventure for me. I remember when I was 13 and seeing my first live opera, Don Giovanni, at IU and thinking to myself, "I want to sing here someday." The thrill from that performance is something I remember even today, and it was matched by the happiness I felt last night. And I honestly never thought that I'd get here, but I'm happy that I was wrong.
The photo is of Maestro Wedow and myself after the performance. He's one of the most brilliant and creative people I've ever worked with, and has given me the chance to test my limits and open myself to new ideas.

Covering and Hovering

Opening night of "Giulio Cesare" is tonight! Consequently, we've been in dress rehearsals all week. And of course, half the cast wasn't feeling well. Everything seems to be fine now. But Wednesday was totally different. The Cornelia in that cast (tonight's cast) wasn't planning to sing any of her arias on Wednesday to save her voice. My cast had to be in the Green Room at 6 for notes from our director and were free to go after that. After I got my notes (one of which included lifting Achilla higher in his death scene so that he's in the light...basically putting his whole torso on my legs and chest)I found Maestro and asked he if wanted me to stay for anything. I wasn't sure if it was appropriate to ask if I could sing the arias, so I tried to be sneaky about it. At first he said he didn't need me for anything, but I must have given him a look or something, because then the lights in his eyes went on and he said, "Actually, do you want to sing the arias? That would be wonderful!"

And I did.

I think this was the biggest adrenaline rush of my life. I'd never sung totally solo with an orchestra before; I'd done two SATB quartets with orchestra before, but nothing this large or this intense. I hadn't rehearsed with them, and had only worked with Maestro once. So, when it came time for one of Cornelia's arias, I walked to the side of the stage and sang while the actual singer did the acting. I think for the most part it went well; I know for the first 5 or so measures of "Priva son" that I was behind, but I had trouble hearing the orchestra at first, and didn't realize how behind I was until Maestro and Marcello started motioning for me to speed it up. And for those of you who don't know the aria, the introduction is...one beat. Downbeat, sing. This is scary. But after I got in sync with the orchestra, I felt that it went very well. I won't lie, it was a bit awkward to walk onstage in my jeans, tennis shoes, and sweater and sing an aria from the side of the stage while everyone else was in full costume and makeup. But several of the people in attendance that evening complimented me on how I sang. And while the chances of me actually singing Cornelia in this run are extremely slim, I'm so glad I had this experience, especially because much of her music is very exposed and scary if you've never done it before. But now I know I can indeed do it!

For those of you interested in watching the performance but can't make it to Bloomington, here is the link to live streaming.
Streaming begins at 7:45 Eastern Time. I will be singing in the February 28th and March 6th casts.
And here is the link to the official website for the production.

The photo was taken on one of the dress rehearsals. I don't know who took it, but thank you whoever you are! This is my first scene in the opera. On a side note, the label inside my headdress says it's from the Met, from a production of "Aida". This may be the closest to the Met I ever get, but it still makes me feel cool.

Cesare Top 10, Week 2 of Staging

What's new with Cesare:

1. I have Cornelia memorized!
2. My Nireno costume was made for a man, so I'm sort of swimming in it. But it makes me look cool. And they're adjusting it.
3. Supporting a 6'4'' bass-baritone during his death scene isn't easy.
4. If I would end up singing a performance of Cornelia, I would get felt up by 4 different guys.
5. Tolomeo's death scene is going to rock, hardcore.
6. My Italian, according to our coach, is getting better each time!!
7. Being slap happy with previously bass-baritone, diction coach, and another mezzo is quite fun.
8. I'm performing in the inside cast (the "Remus", as in Romulus and Remus, cast), which performs on February 28 and March 6. If you can't see it live, catch it on the live streaming over the Internet. More details to come.
9. Maestro is one of the most amazing people I've ever worked with. Actually, this whole cast and production team is just brilliant!
10. I can't wait for this show!

What's keeping Lydia busy?

As of Sunday, I am officially the cover for the role of Cornelia in Giulio Cesare in addition to singing the role of Nireno.
This will be the least amount of time I've ever had to learn something of this magnitude, but I am thrilled that I was asked to do this, and want to prove that it wasn't a mistake to pick a sophomore to learn this role in less than a month.
In other words, I'm thrilled beyond belief, but I have more work to do than I ever have before.

Snow!

Monday marked the first "official" rehearsal for Giulio Cesare with the entire cast and Maestro. As of today, we have a month until opening night.
The rehearsal itself, in my opinion, went quite well. We had an hour break in the middle, and instead of being a good student and practicing (I hadn't had a chance all day, seeing as I was busy from 9 a.m. until right then), I went to dinner with some of the other cast members. This was fun, because I made $5 in rehearsal that day after answering a question Maestro posed. Does this mean I'm a paid opera singer? ;)

The dinner crowd consisted of myself and my double, 4 countertenors, and a baritone. That's right, 4 countertenors. Before this show I didn't even know 4 countertenors. But we had a good time, and I enjoyed getting to know them a little better. Somehow we ended up talking about our dating lives and such, and after they talked about theirs, one of them asked me if I was seeing anyone. I said I wasn't (which is true), but that I'm working on it (which is also true). He looked me in the eye and said, "Oh don't worry, there are many fish in the pond, and the pond is a big place." I can honestly say I've never been asked about my love life before, especially in a group of people I don't know that well. But it made me laugh and I had a good time.

And to make this week even more interesting, the university closed today due to snow. There was already a few inches on the ground, but by noon we had a foot of snow. So, after watching a Disney movie with the housemates, we went out and played in the snow. I haven't played in the snow for years, so this was quite interesting. And, as many many many college students have done, we went tray sledding. That's all I'm saying about that. But now my body's a little worn out. We rounded out the snow day by watching The Fellowship of the Ring, the extended version. But I got work done afterwords in preparation for tomorrow's opera rehearsal. But the snow day was very much needed, and I had a blast!

Signor del mondo...

I had my first coaching with Maestro Wedow today, and was very happy with how it all went. Again, my role isn't very big, but it is important. Nireno is, as Mo. Wedow put it, "Like James Levine, Vince Liotta, and David Effron all rolled into one." Cleopatra trusts him, and really lets him boss her around a bit. I keep forgetting that Cesare is, well, Julius Caesar (ahhh!!!), a larger-than-life character. King of the world. He's more than a general, and Cleopatra knows it. If she wins his love, she wins power. What she doesn't plan on, however, is falling in love with him.
And this is where Nireno helps.
He's proud of Cleopatra. She's "his honor student" as Mo. Wedow said. But he's still a servant. A servant, as he put it, in the way that Hilary Clinton is working with President Obama. And he's on the right team; after all, it is Nireno that begins the coronation scene, declaring Curio to be the victor, and Cesare to be kind of the world. In the back of his mind, though, he's saying, "See, I told you my girl Cleopatra would win. And now all those suckers who supported Tolomeo are being beheaded. Guess I was right!"
But there was still time left after we were finished working through the role, so we worked a little on my aria from Ariadne auf Naxos. I haven't been working on it that long, so it's still pretty rough in a lot of places. But Maestro gave me some very good suggestions, especially on how I learn the aria. He said I should take it in chunks, and that while Struass sounds like it's floating, you have to watch the conductor at all times. In retrospect, I should have sung Mozart for him, but he mentioned that he'd like to hear me sing my aria from Le Clemenza di Tito eventually. But I don't think I made a fool of myself in the least, and learned a great deal.
I'm just so thrilled to be singing in this opera, and to be working with my amazing cast members and artistic team! =)

New Semester

It's only 3 days into the semester, but I'm already very busy. My semester started at 9:00 am on Monday morning with a coaching for Giulio Cesare. It went well, but I still need to do a lot of work as far as bringing Nireno to life, something Daniela is helping me accomplish. I worked with Marcello on Tuesday, and he was very pleased with my diction, telling me how much I had improved over the break. This made me very happy, seeing my work amount to something!

Of course, whenever I come back to school from a long break, some homesickness lingers for the first week or so. It makes me frustrated, seeing as I really haven't found a way to rid myself of it. One of the things I miss most when I'm at school is having my cats around. Yes, I'm one of those cat people. ;) There's a Petsmart not far from campus that has cats up for adoption, and on Monday, I discovered that you can hold them for as long as you want. Which I did. And I'm going back today. It's really too bad I can't adopt one, although the cats at home would freak out if I did.

The other big news is that I'll be moving again next fall. While I like the location of the house I'm at now, there's just too many people and too much noise. Part of this comes from being on a very busy street corner and me not being used to traffic noise, having grown up in the middle of nowhere. But some of it also stems from there just being 11 of us, and the majority of the housemates being very extroverted, which sometimes clashes with my introverted personality. So, I'll be living with 3 or 4 friends in a townhouse a little farther from campus. But it's about half the price I'm paying now, in a much quieter environment, and closer to things like the grocery store. But it's still close enough to campus that I won't need a car. I'm excited for this change and think it will be the best for me.

Almost done

My last coaching with Marcello before the break was on Friday. He told me that I've improved, and even sounded good on some parts. We had time after we were finished with the diction part, and went on to actually singing. As I've said before, he's on the pickiest coaches I've worked with, but brilliant. I've never really done recitative before this, and he's been a great help making it sound good.
In about 45 minutes I'll be getting picked up for the choir concert at my church down here in Bloomington. We're performing a bunch of different Christmas and Advent selections, including Bach's cantata "Hertz und Mund und That und Leben". Even though this is a volunteer choir, we've actually got a voice major on each part plus quite a few people who know what they're doing. Jon, our director, got a few members of the Early Music Institute (EMI) to be our orchestra, plus some outside soloists (he told me and the tenor in our choir that he would have picked us for those solos, but I came in kind of late and the tenor had his junior recital to prepare). Our soprano soloist was in opera workshop with me last year, singing Maria to my Anita in "A Boy Like That", and is actually the one who introduced me to this church down here. The bass soloist sang Figaro here last year and Falstaff in The Merry Wives of Windsor this fall. His voice sounds slightly like Nathan Gunn's, only with more "bass" qualities. He's also one of the funniest people I've ever met, and Jeff and Kelli's (our pastors) kids just love him. I could go on but I'll stop.
My first two finals are tomorrow; Russian at 8:00 am (honestly, Russian is a language that really shouldn't be spoken before 10:00 am. It's unhealthy) and French at 12:30. Then nothing until my music theory final Friday at 12:30. I have no idea what the heck I'm going to do for three days, and really wish I could take it earlier (already tried, won't work sadly) and get home sooner.

Italain Diction Boot Camp Part 2

My second coaching with Marcello was today. I've worked on my text, but there's still a lot of work to be done. However, he did tell me that I've improved, and some of it sounds very good. But, as he was telling me that my mouth was working too much to enunciate, he said, "You look like you're under pressure. You just need to relax. I know you want to do a good job, but just relax a little. If you work too hard, it's counterproductive." Of course, once I did, it improved! This isn't the first time I've been told by a music person or anyone, that I'm tense and need to loosen up. Do I work too hard sometimes? Yes. Do I need to loosen up? Probably. Of course, part of the nervousness comes from having a native speaker (who happens to be gorgeous) coach you in his native language. I'm very glad he's being extremely picky though, because this will help tremendously in the longrun.
Yesterday I had my first musical coaching. I've never done recitative before, and it is much harder than one might think. But I'm getting the hang of it, and very much enjoying it. It's better to learn to do recitative now than a few years from now. But my musical coach asked me if I was a grad student. I'm not, but this question has come up several times since I started college. I think part of people thinking I'm tense and nervous is because I am; I'm 19 and doing my first role at a major voice school. Of course I'm nervous! It's scary!
And, as a fellow opera-blogger and facebook friend Susan pointed out, "You know... if you relax, the Italian will just come. :) So go have a glass of chianti."
Chianti...mmmmm. =)

Giulio Cesare Dicton Boot Camp

My first diction coaching for Giulio Cesare was on Wednesday. We're fortunate to have an Italian, Marcello, as one of our vocal coaches/accompanists, and he's also helping us out with the Italian diction. I haven't taken Italian yet, but I did have some diction coachings back at Interlochen with Donna, and I feel like I've got a good ear for languages. So, I thought my Italian would be in at least decent shape.
So, after my lesson, I wnet up one more flight of stairs to Marcello's office, and we begin the coaching. I read the text aloud, and he corrected me. I didn't realize just how many small intricacies there were in Italian diction, like the implied double consonants. I didn't seem to be screwing up on too many ideas, but the ones I did were huge; consonants and vowels. Marcello told me often, "No, you're using too much consonants, and your vowels aren't pure." I actually didn't realize I was putting diphthongs in some of these words, and its harder than heck to not say them. But Marcello was really a huge help. I was able to mention that I hadn't taken Italian yet, and he said, "Oh! Well you're doing well then." And whenever I would come close to saying something correctly, he would sort of jump in his chair and say, "This is best one." So now I have a lot of work to do between now and our next coaching, which will probably be after the Thanksgiving break.
Speaking of Thanksgiving...
It can't come soon enough. End of story. This semester has been my roughest yet in more ways than one, and it has left me totally exhausted. My white noise machine has helped me sleep, but I still haven't felt rested in about a month. So this break and a chance to have some quiet will be greatly appreciated.

Rehearsals

The Love for Three Oranges
Yesterday three other chorus members and myself wiped out while running across the stage. In front of everyone. Thank God people thought it was funny. As one of the tenors told me, "People thought it was funny, or they were worried." Apparently one of the other people running with me slipped on a newspaper, fell, and brought the rest down with us. I was also told it looked like it was in slow motion. Actually, it was kind of cool.
Today, as part of a scene in which we try to make the Prince laugh, I was beat up with giant inflatable swords. While wearing a mask.

Giulio Cesare
At our cast meeting, the director (freaking brilliant man, by the way) told us that as actors we have to believe we can do anything. He turns to me and asked, "Like you, do you think you could ever kill anybody?" I had no idea what kind of a response he was looking for, so, "Sure...no?...I don't know!", which brought on some laughs. He then asks, "Do you ever plan on having a child?" I said yes and he continued, "Suppose some creep tries to hurt or kill your child. Would you kill him?" I said I definitely would. "See, you can kill. Whenever I do this exercise, I try to find a woman who looks like she wants to have a child and ask her." This once again proves my awkwardness. But I am excited to start coachings in about three weeks, first on diction, then adding the music. =)

Now I can actually talk about this.

It's official! The lists are posted!

I bought my score early this week and am busy learning my role. Nireno does have an aira, but it is often cut, as it will be in this production. Obviously, there are going to be lots of cuts, because Giulio Cesare uncut is almost Wagnerian in length. Since the aria is cut (I actually haven't seen it in any editions of the score), my entire role is recitative, plus the small ensemble at the very end. I've really never done recitative before, so this will be extremely good for me, and will really push me as far as memorization. Nireno is actually a very interesting character; he's an instigator, telling many of the characters, especially Cleopatra, "No, don't do that. Why don't you do this instead?" and working behind the scenes for his favorable outcome. This namely involves getting Cleopatra and Ceasar to hook up and for someone to take down Tolomeo. And these both happen.

Thursday the entire cast met with our conductor. The opera isn't until next semester (last weekend in March, first weekend in February), but learning the stylistic elements and preparation needs to begin as soon as possible. I only knew a few of the other singers going into the production, and a few others I had seen but really never met. I dashed to the basement of the MAC (Musical Arts Center) as soon as our first staging rehearsal for The Love for Three Oranges, of which I am in the chorus, was over. In the basement where all the dressing rooms and such are, I saw two or three guys who appear to be looking for something. I was right in assuming that they were also looking for the same room I was. One of them says to me, "Oh, are you in the cast? How wonderful!" and introduced himself. We finally found the room, which turned out to be the women's chorus dressing room, all ready for The Merry Wives of Windsor, which opens next weekend. My first impression on meeting the entire cast is that I'm very young. When I say young, I mean I'm the only person under 20 in the entire cast. Consequently, I feel like a small child. But I'm excited to learn this role and be a part of this wonderful and beautiful opera!

Here's a closer look at the cast list. I still can't believe my name is actually on it.

Breaking News

I found out only a few hours ago that I've been cast as Nireno in IU Opera Theater's production of Giulio Cesare! I'm absolutely beside myself with happiness and cannot believe this has happened!! More updates to come.