Friday, August 08, 2008

Random Post

I'm nearly finished with War and Peace with about 20 pages left. It's amazing. Go and read this book now. Right now. Part 1 of the Epilogue is very satisfying, a good mix of humor and sadness. Too bad Tolstoy didn't write even a sliver of a sequel, just so we can see what happens to Nikolay Bolkonsky, Prince Andrey's son. He's a character that's in the background for most of the novel, but his 15-year-old self becomes more important towards the end, being inspired by Pierre and his late father.

Due to the muscles in my eyes not liking to focus close-up and leading to some double-vision, I need reading glasses. Groovy.

Early this week, I found the trailer for Harry Potter and the Half-Blood Prince, and I can hardly wait until November! Yes, I am that big of a Harry Potter fan. Proud of it. =)

Cat Pic Friday. This is one of the few times Tacy actually looked at the camera.

Monday, August 04, 2008

RE: Alexandr Solzhenitsyn

As I said before, my exposure to Solzhenitsyn's works are limited. At Interlochen I read the speech he gave at Harvard, ironically, in my Political Philosophy class. This was my first experience with Solzhenitsyn, and I remember being stunned by him, especially by his deep spirituality. At the end of our final exam, there were a series of questions that didn't count for anything asking our opinion of the philosophers we read, wondering which we found the most interesting, who we agreed with, disagreed with, would like to speak to in person, and so on. I believe I wrote Solzhenitsyn's name several times, since I found him the one of the most interesting, and found myself agreeing with him the most.
I came across Solzhenitsyn again in my Russian lit class at IU with One Day in the Life of Ivan Denisovich. I knew some of his life, but not in the detail that I dove into it at IU, learning of how he came to writing, of the horrors he experienced under Stalin's cruelty, and of his unique political and literary place in the world. And I'm amazed by him, of how anyone can endure the things he did and so many did, and how he held to what he believed in despite the political and social pressure and persecution. That kind of strength is to be admired and sought after.

Sunday, August 03, 2008

And I thought I had interesting roommates...

As I was checking out msn.com, I noticed a news story reporting the death of Nobel winner and Russian author Alexandr Solzhenitsyn. My exposure to Solzhenitsyn is mostly limited to One Day in the Life of Ivan Denisovich, one of the most interesting and insightful books I have ever read. My Russian lit teacher at Interlochen didn't have us read any of his works, mostly because there was not room in the schedule for it. On an interesting note, one of her former students ended up being the college roommate of Solzhenitsyn's son Ignat, an acclaimed pianist and conductor. Can you even imagine move-in day?

Friday, August 01, 2008

I know this is late...

As promised, I've got the low-down from Sunday's recital. I know it's a bit late, but my final English comp paper has consumed my life this week. And it's done!

To my happiness, the recital went very well! The majority of our audience didn't belong in the classical music devotee category, so they enjoyed the wide variety of music we performed, getting a taste of what music from all of the major eras sounds like. Caleb and I really didn't intend for our program to fall into place like that, but it did, and it worked very well.

Caleb, of course, played beautifully. Having played the violin a little myself (I'm not a good player at all) I can understand and appreciate all of the coordination and flexibility that goes into good violin playing. As I mentioned before, the Bach Ciaconna sounded amazing in the church, but the "Gypsy Airs" by Sarasate got the audience into a frenzy; they just went nuts.

I was especially pleased with the way I sang my English-language pieces. The audience really seemed to like "The trees on the mountains" from Susannah, which was one of my favorites on the program. I was very happy with how I sang "Parto, ma tu ben mio", and felt that the coloratura was smooth and in place. I can't wait to sing this aria again, and I hope to sing the whole role someday.

I had great fun working with Dale, our accompanist, a very talented and hysterically funny man who can sight-read Rachmaninoff like it's nothing. The church was fairly well filled up, both with familiar faces and new ones. Caleb mentioned that we should make a summer recital an annual event, an idea that I agree with. We might be repeating this program later in Indianapolis, but that's still in the works and not a for-sure happening.

However, I consider this recital a success. I was happy with how I sang and pleased with my accomplishments this summer, especially "Parto, ma tu ben mio", one of the hardest arias I've learned so far. I've vocally taken a few days off, getting my mind back into learning mode for what I need to prepare for this fall.

Saturday, July 26, 2008

Tomorrow...

Last night was the final rehearsal for the recital. This was the first time I'd actually heard Caleb (the violinist) play by himself, having only heard him in ensemble situations, and since I'll be hanging out "backstage" while he's playing tomorrow, this was really my only chance to hear him. His first piece is from one of the Bach unaccompanied Partitas, and it very well suited for the church we're performing in. The building itself is wonderful for music and especially for voices, and the Bach and "The trees on the mountains" sound really nice in there. Yesterday was also the first time we had rehearsed "Si mantiene il mio amor" with any of the strings. Caleb's sister, who is playing the second violin part in it, wasn't there, so tomorrow will be the first time we'll have run it with everyone. I'm sure it will be fine though. I'll be sure to post how it all goes, and if I can get some video or sound clips, I might post those as well, only if I can figure out how to do that.

Tuesday, July 22, 2008

Edu-world madness

Rehearsal today with Dale (my accompanist) went very well. We're all doing a dress rehearsal on Friday, which means...I get to get out of class early! Only two more sessions of this class remain, and I couldn't be happier. My last paper for this class is one of the most ridiculous projects I've ever had to do in my life, involving 5 genres of writing...basically making a research project a creative writing assignment. I could go into the details of the insanity of this assignment, but it's just too frustrating. Let's just say it all involves bad scholarship, or no scholarship at all, all because my hippie prof thinks people need to stick it to The Man.

Saturday, July 19, 2008

Can't think of a title

8 days until the recital...
Nearly everything is ready. Next week everyone involved will have a "dress rehearsal" of sorts so that we know where we'll be entering from, where the piano will be, and matters along those lines. There's only one piece that everyone is involved in, and I don't anticipate that many problems will arise with that (I hope not, as we haven't had the time to rehearse it!). The piece, "Si mantiene il mio amor" is really a bizarre piece to end a recital with. The text translates to "My love is nourished by grief, anxiety, and pain, so much that I cannot think about my beloved without being unhappy. I love, even thought I do not hope." Kind of a downer, you know? But it's a beautiful piece, and it will sound very nice with the two violins. I still need to finish the program notes and the actual program. Except for the English pieces, I printed all the texts and translations. Not being computer savvy, I had a heck of a time figuring out how to line up the original text and the translation, and finally came up with a method that isn't great, but worked. However, the Rachmaninoff text isn't side-by-side with the translation. Just couldn't pull that off.


This week, it's Cat Pic Saturday

Friday, July 11, 2008

On the vocal highwire

Sometimes, my voice surprises me.
After Alice made the comment that I might be a coloratura Rossini mezzo, I decided to take a closer look at Rosina's aria "Una voce poco fa" from The Barber of Seville. And, as anyone who has ever heard the aria knows, the repeated sections of the aria often include variations and ornaments. None of these are "officially" written in, but most singers who sing this aria put them in. I FINALLY got my hands on these variations and tried them out. Although some of the specific variations seemed to be aimed for sopranos (don't get me started on the topic of sopranos singing Rosina and other Rossini heroines. They just shouldn't and that's that. Maria Callas could, but she could have sung Figaro, Rosina, and Almaviva at the same time if she wanted to), but surprisingly, they fit in my voice. I won't be doing the high D# however; it's there, but it really doesn't like to be. Obviously, it's nowhere near being polished yet, but I know it can be. And that makes me happy.
My Russian education is continuing this summer, with a great deal of help. About a month ago, my dad had to do a funeral at a neighboring church because their pastor was in Germany visiting his daughter. The funeral was for a local farmer that many people knew, but no one had ever mentioned (to me at least) that his wife was Russian. During the preparations for the funeral, my dad talked to her several times, and mentioned that I was taking Russian and also that I'm a musician. So she told him to have me call her, saying that she would be happy to help me with my Russian. I've gone over to her house twice and have learned quite a bit! Who would have thought that in little Adams County, with our 30,000 people (lordy more people go to my university than live in my county), that there would be someone within 10 miles of me who speaks Russian! Funny story; she saw Dmitri Hvorostovsky sing in Moscow about 20 years ago before he really was anybody, and said that he was the only good singer in the whole show and that the chorus was especially bad. She also asked me where I work, and when I told her I work at a pizza place she shuddered and said, "No. No, don't work there. You protect voice, work on that." But I've enjoyed having someone to speak the language with and learn more of it myself. Fluency is my eventual goal, but if that ever happens, it won't be for years. But I've gained some new vocabulary and know some more complicated grammar structures.

Cat Pic Friday. Tacy's newest bad habit. Now we have to make sure the lids are down.

Friday, July 04, 2008

Cat Pic Friday!

Salem and Tacy on the kitchen stool.

Tuesday, July 01, 2008

Mozart is my man.

It's always good to know that my education is worth it. Mom and I drove down to Bloomington yesterday. My teacher spends most of her summers in Florida taking care of her elderly mother, but is usually in Bloomington for a week or so. Three of her students have recitals this week, so this was her week to come back to Indiana. I had the day off, so Mom and I took a mini-roadtrip to Bloomington to see my teacher. I wanted her to hear a few of the pieces I'm doing on my recital at the end of this month, especially some of the new pieces I'm working on. My main focus was "Parto, ma tu ben mio" from Mozart's La Clemenza di Tito, a mezzo showpiece aria. Being the dork that I am, I've wanted to sing this aria since I heard a recording of Cecilia Bartoli singing it when I was 14. Mr. Norris, my teacher at Interlochen, and Donna (the diction coach who had worked at the Lyric Opera of Chicago) both recommended that I work on this aria, saying that it would fit well in my voice. I looked at it here and there, but the coloratura always scared me off a little. But, at my last lesson this past semester, I asked Alice, my current teacher, if I could work on it, and got the ok.

So, I've been working my butt of this summer getting it learned and conquering the coloratura. It's one of the most difficult pieces I've done, perhaps with the exception of "The trees on the mountains" from Susannah (yeah I know that's a soprano aria and I'm not a soprano, but I can sing it-- so there), but I felt satisfied with my work.

I sang "Parto" for Alice, and I was very pleased with the result. The coloratura, to my surprise, fell into place; the bass of the accompaniment helped keep the momentum going. The whole aria felt free and natural, making it one of the best times I've sung it. Alice was also very pleased with my hard work in learning this aria, commenting that the coloratura was very good and that I might be a coloratura Rossini mezzo. Insert good freak out. Coloratura mezzo? omg what? I've been told over the years that I may end up being a Verdi or Wagner mezzo, or even a dramatic soprano, but I never really considered Rossini and his pals as much. This is a bit nutty on my part, since Mr. Norris and Alice both recommended "Una voce poco fa" from The Barber of Seville for me. You bet your life I'm going to be looking at it a lot more now.

Besides the Mozart, we also looked at a few of the other pieces I'm doing on the recital: "Somewhere" from West Side Story, Rachmaninoff's "In the silence of the secret night", and Cesti's "Si mantiene il mio amor", which I'm performing with the violinist that's sharing my recital.

Afterwords, Mom and I had dinner with my friend Loralee. She's staying in Bloomington for the summer due to her parents moving from Virginia to Oregon. There were a few living complications with the apartment she's subletting, namely, her roommate going to Spain and having a guy unknown to both of them living in her place. So, Loralee's living on a friend's couch until this girl comes back from Spain and the guy moves out. Apparently he turned out to be a nice enough guy, but she's uncomfortable living with him, especially if there's only her and him. If I was in this situation, I'd be furious and showing it, but Loralee has the ability to be calm and collected. I have no idea how she does it.

But now I feel more comfortable singing the Mozart aria for the recital, knowing that I've successfully learned it. Naturally there's still a lot of work to be done on it, but it feels ready. =)

Sunday, June 29, 2008

Sometimes, my hair color speaks for itself...

A few days ago, I was looking through my desk drawers and came across a program from the Stars of the Lyric Opera Millennium Park concert from 2005. This would have been at the beginning of my junior year of high school. Flipping through the pages, I remembered a lot from the concert; being in the open air with my mom and aunt Jan, the blisters on my feet, Ildebrando D'Arcangelo's beautiful voice, hair, and his music nearly flying away in the wind while singing the crap out of "Suoni la tromba" with Quinn Kelsey, Matthew Polenzani stopping in the middle of "Salut, demeure" because of the fireworks from the Rolling Stones concert at Soldier Feild, and Denyce Graves singing one of the most beautiful renditions of "Mon coeur s'ouvere a ta voix" I've ever heard. Oh yeah, and Nathan Gunn singing the first Figaro/Almaviva duet and the Hamlet Drinking Song. But this had somehow slipped my memory momentarily:

Les pecheurs de perles
Act One, Duet: "Au fond du temple saint"
Matthew Polenzani (Nadir)
Nathan Gunn (Zurga)

Obviously I remember it, and yes, it was basically gorgeous. This duet, as with many pieces, really needs to be experienced live to appreciate its total beauty. The Lyric Opera of Chicago is presenting this opera next season, with Gunn in the cast. This is giving me roadtrip ideas...

Friday, June 27, 2008

Cat Pic Friday!

Salem is almost back to normal. He wants to go outside and is back to his old habits, like lounging on his back on the kitchen floor. Here he proudly displays his stitches.

Thursday, June 26, 2008

Vocal Poetry


Yesterday a pleasant surprise arrived in the mail; a belated birthday gift, in the form of Dmitri Hvorostovsky's Sviridov album (thank you Mom!). Georgi Sviridov, who died in 1998, finished the song cycle Petersburg, a vocal poem for Hvorostovsky in 1995, using poems by Russian poet Alexandr Blok. I read some Blok in my Russian lit class last semester, including his bizarre short play The Puppet Booth. His poetry does not employ many words, but those he chooses are powerful, even if the poetry is obscure and difficult to understand. Blok was at the beginning of what is known as The Silver Age of Russian poetry (the Golden Age being that of Pushkin and friends), which produced many of the early Soviet poets. I can't believe it took me until this past year to discover these poets, and I wish more people would read them. In my class, many of the poems we read also included the original Russian text, which was a big plus for me. Sviridov makes platinum out of these already golden words, and Hvorostovsky's dark-chocolate voice brings them to life with pianist Mikhail Arkadiev.

Also on this disc are Sviridov's Six Romances to words by Alexandr Pushkin, written in 1935. Of course, Pushkin is a totally different poet than Blok, and his style reflects that. Pushkin belonged to the Romantic age and uses more flowery and beautiful language than Blok. This is the man, after all, who wrote Eugene Onegin and The Queen of Spades. "To Nanny" is especially beautiful.

My advice? Go out and buy this album. Now. Right now. Honestly, this album is so good it makes everything else he's done look like crap. It's that good.

Tuesday, June 24, 2008

Another cat update

Salem is back at home! He isn't quite out of the woods yet, but he's on the road to recovery. At the moment, he's being very sluggish and seems a little confused, but that's to be expected; he had surgery yesterday and is on pain killers related to morphine. So now we have a druggie cat. His diet has also been changed to moist food, since it has more water in it. However, he seems to be happy to be home. The vet staff seemed to glad to be rid of Salem, because he is very angry when at the vet. At home, he's very sweet and affectionate, but once he gets in that office, he turns into a terror. Swatting is one of his favorite ways to irritate the staff; they had to put a towel over him a few times. You'd never know that seeing him at home.


This is my cat...
This is my cat on drugs.

Monday, June 23, 2008

Cat update

Just got a call from the vet's office. All of Salem's kidney stones were removed, and we'll be able to pick him up tomorrow or Wednesday! We're going to have to adjust his diet so that this doesn't happen again, and I'm sure there are going to be some other changes as well. But I'm just glad he's coming home!

Sunday, June 22, 2008

Cat Pic Sunday?


This is Salem, our tabby. He's currently at the vet for kidney stones, and we're unsure of what exactly is going to happen to him. Salem and Tacy are my first pets, so I'm not taking this as well as I should be. More updates later.

Friday, June 20, 2008

Cat Pic Friday!


I'm also joining in on Cat Pic Friday. This is Tacy, my calico cat. It isn't a great picture, but it shows what she does all day.

Wednesday, June 18, 2008

Another reason not to like small towns...

We all know college is expensive. The logical solution, therefore, would be to get good grades, do a good job in your studies, and apply for scholarships to reward your good work. Makes sense, right? Apparently in Adams County, this is most definitely not the case.

Last year I was not able to apply for any of the scholarships available from the Adams County Community Foundation, even though I graduated from high school with honors and was accepted to the Jacobs School of Music. Why? Because Interlochen Arts Academy is not in Adams County (well duh!), and to be eligible for these scholarships, graduation from an Adams County high school was required. It doesn't matter that Interlochen turns down 2/3 of the applicants and is regarded as one of the nation's finest fine arts schools, it isn't in Adams County. OK fine. I knew I could apply for at least one scholarship this year, which required the applicant to have either graduated from an Adams County high school or have been a resident in the county for at least 5 years; I'm 19 and have lived here all my life, so I assumed everything would be ok. Wrong again.

I filled out the application in May, explaining why I wanted to go to college, what classes I had taken, why I deserved to receive this scholarship, yadda, yadda, yadda. I took 19 credit hours both semesters, got close to a 4.00 gpa, and took very difficult classes, so I figured that I could get at least $500 out of these people. After all, I've known others who have less fatiguing schedules and worse grades who have gotten more.

Yesterday, however, I received a letter saying that I got...nothing. Not a dime. My first thought was, "What the #%$*?!" I remained calm enough to call the Foundation and ask why I had not received anything. The reason basically was this; I had never applied before. Priority for the scholarship was given in this order: 1. students commuting state school students (basically, a local public college, of which we have the IU and Purdue local campus and some community colleges who take basically everybody), commuting private school students (only about two of those in the area), state school students (my category), and private school students (usually harder to get into and cost more money).

Now for the actual students: the "non-traditional" students also get first priority. These are people who have been out of high school for 5 years without going to college. Then they look at students who have gotten the scholarship before, and finally, the newbies. The person I talked to said that most of the students going to local schools often did because of a lack of money, which I think is only partly true. I have known so many kids who go to the local colleges because they simply lack the courage or desire to see life beyond what they know, or challenge themselves to a school like IU. Many have little ambition or motivation, and some in this category did not have the grades to get into a challenging university. So, these students are rewarded for their lack of achievement. Of course, there are those who do stay at home because of lack of money, but generally this is not the case. I remember that during the three years I spent at the local high school, going away to school was generally not encouraged, and the local schools, which offer often less-then-great programs.

So by the time my pile is reached, most of the money is gone. My brother got some money, but he is a returning applicant. I would be, but the Interlochen issue kind of screwed me over.

This is what is wrong with this community; there is no reward from the community for trying to better yourself academically. I did some theater with a girl some years ago who went to a college prep high school not in the county and went on to Harvard. Her mother was disabled and her step-father's job didn't have a huge income. But, since she chose to go to a good high school and then one of the world's most prestigious universities, she was ineligible for any scholarship from the community. This community does not encourage this level of achievement, and often doesn't really talk about people who do great things outside of the county, such as Don Neuen, who is from Bern and currently the choir director of the Crystal Cathedral and formerly taught at the Eastman School of Music, or David Anspaugh of Decatur, director of such movies as Rudy and Hoosiers. But are these people ever spoken of as role modals for reaching your dreams. Instead, high school football players from thirty years ago are still on a pedestal. This backwards thinking is ruining this county.

In other words, if I had messed up in high school, or if I chose a lesser music program and stayed at home, I would have a better chance of getting scholarship from this county. Some programs, such as architecture, are only offered at one university, in this case Ball State University. What, then, is the reward for wanting to pursue architecture if the community doesn't support going away? It would seem sensible to promote going away to college as a way to promote the county and show the rest of the state, or the country, what we're made of. But this is Adams County, Indiana, where most things make little or no sense...

Thursday, June 12, 2008

Decatur has hit the blogosphere...

Opera blogger Susan has found Decatur...all 8000 of us. =)

Little known Indiana fact; baritone Nathan Gunn is an Indiana native. As is violinist Joshua Bell. Indiana rocks.




Wednesday, June 11, 2008

Mariinsky fever!


I just found the website of St. Petersburg's Mariinsky Theater, formerly called the Kirov, where the amazing and slightly creepy Valery Gergiev is artistic director. The Mariinsky is also the host of the famous Stars of the White Nights Festival of Music, which runs from May through July, this year celebrating 225 years of the Mariinsky. Here are just some highlights of this year's Festival:


May 12 (obviously already happened): Olga Borodina in concert

June 12 and 14: Great ballerinas of the Mariinsky ballet gala

June 17: Les Noces. Le Sacre du printemps. The Firebird

June 24: Bryn Terfel in concert

June 29: Dmitri Hvorostovksy in concert

July 12: Marking 225 Years of the Mariinsky Theatre La forza del destino

July 17: pianist Olga Kern

July 23 and 24: World premiere The Brothers Karamazov

As well as performances of Eugene Onegin, The Queen of Spades, Tristan und Isolde, Tosca, Don Giovanni, Carmen, The Love for Three Oranges, and all four operas of Wagner's Ring.


Seventy-nine days of pure bliss. The very thought of The Brothers Karamazov as an opera makes me want to scream with giddy excitement.